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CREDITS View more: 1 2 3 4

Published in:
TIMEFRAMES, AMERICAN PHOTOGRAPHY 1890-1965, ART IN AMERICA, POPULAR PHOTOGRAPHY, PHOTOGRAPHY ANNUAL, 35MM PHOTOGRAPHY, US CAMERA, US CAMERA ANNUAL, PICTURE (the annual of the American Society of Magazine Photographers), PHOTOGRAPHY (London), PHOTOGRAPHY ANNUAL (London), GRAPHIS (Switzerland), PHOTOGRAPHIS (Switzerland), CA, PRINT, TIME-LIFE ENCYCLOPEDIA OF PHOTOGRAPHY, etc.

in Collections of:
Museum of Modern Art, Everson Museum of Art, George Eastman House, Museum of Fine Arts Houston, Milwaukee Museum of Art, Nelson- Atkins Museum, and the Corcoran Gallery as well as in corporate and private collections.

Guest Lectures at:
2007, Center for Railroad Photography and Art, Lake Forest College, Lake Forest, IL;1984, CW Post College (for the graduate class in photography); 1981 Graduate Design Center, Syracuse University; 1979, Cooper Union; 1978 Farmington Valley Art Center, (Conn.); 1976, Yale University; 1965 Maryland Institute of Art, (Baltimore)

Author of:
RAILROAD MEN: PHOTOGRAPHS and Collected Stories, Clarke & Way, 1961 ( selected as one of the ’50 Best Books of the Year’ AIGA )
and PROPAGANDA AND OTHER PHOTOGRAPHS, Addison House, 1976.

Cited in Books:
Timeframes, by Ian Jeffrey, Ivy Press, London, 1998;Contemporary Photographers,St, Martin's Press, New York 1982; 12 Photographers or the American Social Landscape by Thomas H Garver, New York 1967; Photography in America, edited by Robert Doty, with an introduction by Minor White,New York and London 1974; article “Book Review: Railroad Men” by Hugh Edwards in INFINITY, New York, March 1962.

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